1.Build from the bottom up. Start with the beat. Many dubstep tracks start with a really subtle beat, incorporating a couple of simple drum sounds and gradually and steadily build up until the beat drops. After the pause, the most melody, bassline, and beat are available .
Choose a snare sample or layer 3 together to urge an enormous and deep sound. Also obtain the other percussion sounds you want within the beat.
The typical bass, snare, cymbals, toms, and cowbell will suffice, otherwise you can create a totally unique beat by choosing less obvious samples. Try a gun shot, a stadium foot stomp, a clap, a car sound. Dubstep percussion features a lot of presence thereto so be happy to mess with reverb and effects on the samples. Now program that beat!
2.Create a memorable melody. you’ll presumably use an equivalent synth to make your melody sound or sample. Either browse the pre-made patches or start tweaking to urge the sound you’re thinking of.
Hum it out before you begin recording. find out the notes using your piano, keyboard, guitar, or the other instrument you want to write down music on and record the thought .
While dubstep doesn’t layer sounds to the extent of another genres, it’s going to be an honest idea to feature extra layers over your melody. albeit they mimic other patterns very closely, you’ll be ready to add layers as you meet up with to the drop, creating excitement.
3.Break it down. A must-do in any attempt at a classic dubstep track is what’s affectionately referred to as the “drop.” At the climax, break the song right down to just the beat, some tweaked-out wobbles, and effects. Go wild. this is often basically a digital, machine-like guitar solo that gets people on the floor going crazy.
Build up to the drop and play tricks on people by dropping it in an unexpected place or by adding an additional beat here or an additional wobble there. one among the cool things about dubstep is keeping the beat quite loose and unexpected. It stays on beat but never lands within the same place whenever , keeping the beat evolving and exciting.
4.Be creative. Recreate what you hear in your head. Sometimes what you stumble upon while trying to recreate what you hear in your head can actually be better, so feel free to run with it if it sounds good, even if it wasn’t your original idea. If the idea was that great, it’ll come back to you.
5.Maximize it. Have a professional mix the trqack (it’s well worth the dough) or go the quick and easy route – add a maximizer to compress and boost all the levels. You’ll achieve a more radio-friendly volume.